Egocentric cover design matters. Imprimatur tallies social Standing, no matter how horrendous to gals of low station. See, repeatedly, all authors are forgiven hackneyed motifs, Girls aspire to be dogaressas or movie stars, not scientists, Emerging adults improve themselves by aping nurturers. When creating foundations, or otherwise viewing champion Basketball, seeing cooking shows, eliciting liminal responses To metatropes, contretemps, ailing, geriatric hedgehogs, it’s Advisable to use large shovels, lots of verifiable data, kisses. Kites, contrariwise, require more sympathetic adjustments.
There’s small possibility that supernatural organisms found In space operas, their propinquity unquestioned, their fidelity Intact, might deign to delineate, review, or attempt to amend Their comportment; most folk deny, outright, that aliens exist. “Factual” remains a relative term alongside of “mixed farming,” “Spontaneous ignition of face-to-face meetings,” also “crafted Propriety.” Silo modifications employed by convergent media Churn inconsiderable amounts of character flaws. Nobody’s Yet been able to separate famous from unknown dachshunds. Accordingly, businesses’ best quality unshakably is dentures.
KJ Hannah Greenberg delights in words. Her poetry collections are: The Wife/Mom (Seashell Books, 2019, Forthcoming), Mothers Ought to Utter Only Niceties (Unbound CONTENT, 2017), A Grand Sociology Lesson (Lit Fest Press, 2016), Dancing with Hedgehogs, (Fowlpox Press, 2014), The Little Temple of My Sleeping Bag (Dancing Girl Press, 2014), Citrus-Inspired Ceramics (Aldrich Press, 2013), Intelligence’s Vast Bonfires (Lazarus Media, 2012), Supernal Factors (The Camel Saloon Books on Blog, 2012), Fluid & Crystallized (Fowlpox Press, 2012), and A Bank Robber’s Bad Luck with His Ex-Girlfriend (Unbound CONTENT, 2011).